Problem Solving

Stuck halfway through a job, or looking at a wall that hasn’t turned out the way you hoped? Find what went wrong and how to put it right, properly, so it stays right.

We started Cameron Colours because we were tired of paint that let us down, so we know how it feels when a job doesn’t go to plan. Most painting problems have a clear cause: the surface, the conditions or the way the paint went on. Each guide helps you work out which, then walks you through the fix in plain English, honestly, including where no paint, ours included, can do the job for you.

The finish doesn't look right

Patchy walls, stripey ceilings, drips, brush marks and stains that keep coming back.

Peeling, cracking or not drying

Paint lifting off, cracking, bubbling or staying sticky, and new plaster done right.

Particular surfaces and rooms

Cabinets, flat-pack, bathrooms, radiators, uPVC, garage doors, garden wood and pots.

Why fewer things go wrong with our paint

Good preparation does most of the work. These three things make the rest easier, especially on difficult surfaces and big colour changes.

  • Self-priming

    Our paints are self-priming: they bond directly to sound surfaces that have been correctly cleaned and keyed, without a separate primer. That matters most on difficult surfaces such as melamine, laminate, uPVC and previously painted cabinets. Adhesion keeps building as the paint cures, and full adhesion develops over the 7-day cure time, so a fresh paint film is still fragile, especially on difficult surfaces like melamine. Handle it gently, avoid knocks, heavy use and cleaning for that first week. New plaster still needs a mist coat, and bare wood, MDF, stains or solvent-based finishes may still need a primer; the preparation guide explains when.

  • Self-levelling

    Our paints are self-levelling: as they dry, they flow out into a smooth, even film, so roller texture settles rather than drying in. When applied with a brush, they are designed to leave a slight brush-mark texture, because a hand-painted appearance is often exactly what people want on cabinets, furniture and woodwork.

  • High opacity

    High pigment loading gives our paints high opacity: colour builds quickly and evenly and hides what is underneath, which helps most on difficult surfaces and big colour changes. Two full coats usually give the true colour, but three coats may be necessary depending on the surface and how the paint is applied, for example a pale colour over a dark one, or a porous or patchy surface.